Paul Evan Green
Reading the set, not scanning for the incident.
The wall behind the person
Ask Paul Evan Green what he photographs and he says backgrounds — not subjects, not moments. The wall behind the person and whatever the city has already put there. It is an unfashionable answer in a genre that mostly talks about timing, and it tells you what he is doing while he waits.
Vietnam is a vibrant, energetic and friendly environment for street photography. Backgrounds are colorful and historically significant.
From their feature — Streets & Stories 012









Freelancing since 1989
A family friend handed Paul Evan Green a Leicaflex SL when he was a teenager in Sydney. He wore it out, went to art school, and worked up through medium and large format. He has been freelancing since 1989, and street photography has stayed the part of it he does in his own time.
He spent seven of the last thirteen years in Ho Chi Minh City, part of it leading photo tours in Saigon and the Mekong Delta — so he was not passing through, and a good share of those years went on showing other people where to stand. Ask about influences and you get a reading list rather than a style: Atget, Sander, Sudek, Kertész, Walker Evans, Koudelka, Arbus, Davidson. He has since moved back to Sydney.
Crossings, and the years around it
Seven years of Saigon is more than nine frames. His own site carries the archive; Instagram is where the newer work appears.
Vietnam Streets features Paul Evan Green as a community photographer. We are not an agent and take no commission — everything here links straight to him.