Streets & Stories — Issue 05

A City of Contrasts — Xuan Phuong Le in Hanoi

An independent photographer with a decade behind the lens, capturing the fleeting moments where Hanoi's past and present collide.

April 2026 By Jack Ross
Spotlight Xuan Phuong Le Hanoi, Vietnam

This is Issue 05 of Streets & Stories. We return to Hanoi for a second time — not because we ran out of cities, but because the city is too layered to see through a single pair of eyes. Issue 03 gave us a native Hanoian photographing what quietly remains. Issue 05 gives us a photographer who has lived in three regions of Vietnam and keeps circling back to the capital with a wider frame of reference.

Xuan Phuong Le does not photograph Hanoi to collect it. She photographs it to understand it. There is a difference, and you can see it in the images: the patience in them, the way they wait for the moment instead of chasing it. Ten years behind the lens have given the work the quiet confidence of someone who knows what she is looking for.

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Xuan Phuong Le
Xuan Phuong Le

Xuan Phuong Le in Hanoi

Photography came to Phuong as a hobby more than a decade ago. It did not announce itself as a vocation. There was no decisive moment, no sudden conversion — just a slow, irreversible shift in the way she saw ordinary things. A vendor arranging fruit at dawn. Light falling through a doorway in the Old Quarter. The texture of a wall she had walked past a hundred times. The camera made her stop, look, and eventually understand that noticing was its own form of attention. She is independent, based in Hanoi, working across street, documentary, and travel photography — three genres that, in her hands, feel less like categories and more like different angles on the same question.

What draws her back, always, is the daily life of ordinary people. Cultural diversity, the structure of society, the rituals that repeat without anyone calling them rituals. Having lived in three different regions of Vietnam — north, central, south — she carries a wider frame of reference than a photographer rooted in a single city. She has documented remote mountain villages where time moves at a different speed, and she has walked the dense, accelerating streets of Hanoi where it barely moves at all, only accumulates. The range shows. Her images of the capital hold a kind of double vision: the Vietnam she grew up in and the Vietnam that is disappearing underneath the one being built.

Currently, Phuong runs photography walks and workshops in Hanoi — not the kind where a guide points at a pagoda and tells you to shoot it, but something closer to translation. She connects travelers, photographers, and culture enthusiasts with an authentic Vietnam, helping participants create images that carry meaning beyond the frame. The goal is not a better photograph. The goal is a deeper understanding of what you are photographing. It is a bridge between cultures, built one walk at a time, and it works because Phuong knows both sides of it — the Vietnam that locals see and the Vietnam that visitors are trying to find.

Her portfolio at xuanphuongle.com is the best way to see the full scope of her work: the street images, the documentary projects, the travel photography that moves between provinces like a quiet, observant road trip. The images share a discipline — careful composition, natural light, a refusal to force the scene into something it is not. Follow her at @xuanphuong.clover.


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