Issue 013 · Spotlight

On His Own Terms

Jimmy Ky
July 2026

A woman in a red áo bà ba and conical nón lá hat sits in a round basket boat at the center of the frame, surrounded by vivid turquoise water rendered into a radial vortex of blur, her hand raised slightly — Jimmy Ky

Jimmy Ky photographs Vietnam as someone reclaiming something — not the country his parents remember, but the one he is learning to see for himself.

Words by Jack Ross

Jimmy Ky has been photographing since he was eight, in Sydney, a long way from where his family came from. For most of his life Vietnam reached him second-hand — his parents' memories, and the compressed version of a country you get on a short family trip. He kept going back. Eventually he went back on his own terms.

backlit vendor market alley — Jimmy Ky
backlit vendor market alley
bamboo fish trap maker — Jimmy Ky
bamboo fish trap maker

That is why this issue does not sit in one city. The frames run from the coast to the Mekong to a temple courtyard, which is the itinerary of someone covering ground rather than working a patch.

boy in highland field — Jimmy Ky
boy in highland field
couple by hoan kiem lake — Jimmy Ky
couple by hoan kiem lake
farmer thumbs up smile — Jimmy Ky
farmer thumbs up smile

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Jimmy Ky in Vietnam

One picture here is worth knowing the method for, because it is not a photograph of a thing. It was made from above a basket boat with a slow shutter and a rotation, so the water goes to radial blur while the person at the centre stays sharp. That is an interpretation rather than a record, and it is a decision somebody makes only after concluding that the literal version of a scene is not the one they want.

What started drawing me more to Vietnam was to learn more and reconnect with my culture — to see it for myself, instead of only through my parents' eyes.

— Jimmy Ky

The rest of the Vietnam work goes the other way: quiet, and mostly of people absorbed in something that has nothing to do with him. Nothing in it is performed for a camera, which usually means the photographer waited instead of asking.

flower bicycle old quarter — Jimmy Ky
flower bicycle old quarter
fruit vendor bicycle motion — Jimmy Ky
fruit vendor bicycle motion

The diaspora position tends to get described as a handicap — not fully inside, not fully outside. Here it cuts the other way. He cares enough about these places to want something true out of them, and he is far enough from the received version of Vietnam to have no picture already in his head to go and confirm. That is a harder thing to arrange than it sounds, and it is most of what separates this work from a travel edit.

happy poodle portrait — Jimmy Ky
happy poodle portrait
light streak motion abstract — Jimmy Ky
light streak motion abstract
man beneath colonial facade — Jimmy Ky
man beneath colonial facade

His portfolio at jimmyky.com covers Vietnam, Japan, Korea and China, built over several years of travelling Asia alone, and the range is the thing to look at: where the Vietnam frames are still, the Japan and Korea work goes into colour and crowd. He sells framed prints through the site. On Instagram he is @kyjimmy.

man with rooster basket weaver — Jimmy Ky
man with rooster basket weaver
masked riders in traffic — Jimmy Ky
masked riders in traffic
mechanic motorbike parts shop — Jimmy Ky
mechanic motorbike parts shop
motorbike through red doors — Jimmy Ky
motorbike through red doors
orange cat on boxes — Jimmy Ky
orange cat on boxes
red dress bougainvillea yellow wall — Jimmy Ky
red dress bougainvillea yellow wall
smiling elder traditional dress — Jimmy Ky
smiling elder traditional dress
street chess players hanoi — Jimmy Ky
street chess players hanoi
tai chi by hoan kiem lake — Jimmy Ky
tai chi by hoan kiem lake
wall of motorbikes at crossing — Jimmy Ky
wall of motorbikes at crossing
white dog on scooter — Jimmy Ky
white dog on scooter
woman against yellow wall — Jimmy Ky
woman against yellow wall
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